King Bling, the winner of the 2014 Bilikon Artist Search National Competition, has recently shared a heartfelt revelation about his past struggles during and after his victory. His testimony does not only clears Bilikon Entertainment CEO Lyee Bility of controversial allegations but also highlights the challenges he faced during his journey in the Liberian Entertainment Industry.
In a post on social media, King Bling recounted how he was subjected to a series of traumatic events, including being poisoned and pressured into engaging in homosexual activities. He initially believed Lyee Bility was behind these actions, as they were allegedly perpetrated by someone associated with Bilikon Entertainment. This perception resonated with many Liberians, who have often accused Lyee Bility of using his platform to exploit young talent for personal gain.
King Bling, however, clarified that his initial assumptions were misplaced. He revealed that the individual who caused him harm was a Nigerian man who worked as the MC during the competition finals. Reflecting on this, King Bling wrote:
“King Bling and Lyee K Bility have settled their confusion now, and from now on, I pray it be just peace. He wasn’t the one who poisoned me in 2014 when I won the Bilikon Artist Search National Competition. It was a foolish fool called TK Will, who made me take eleven years of mental illness medications. He wasn’t the one who wanted to force me into homosexual activities in his record label. Though the person was from his record label, a Nigerian man, what got me angry with him was because he got upset with me and said he couldn’t sign me. So, I thought he wanted to force me into homosexual activities too. But now we have our understanding. They know I’m not that kind of person and will never be.”
In response to King Bling’s claims, Lyee Bility expressed shock and maintained his innocence, stating:
“Dude, no Nigerian person ever worked in my label. First of all, what are you talking about again?”
This prompted King Bling to provide further clarification, stating that the person in question spoke with a Nigerian accent and was the MC during the competition. Upon hearing this, Lyee Bility offered an apology and promised to investigate the matter:
“I’m sorry about that. I’m not into that activity, bro. Even though lots of young people accuse me of it, I owe nobody an explanation as long as I’m not part of it. You can attest to this if I investigate further?”
This revelation marks a turning point in the narrative surrounding Lyee Bility and Bilikon Entertainment. It also clears the CEO of direct involvement in the allegations and shifts the focus to an individual who may have acted independently.
King Bling’s bravery in sharing his story is commendable, as it sheds light on the challenges many artists face behind the scenes. His openness also serves as a reminder of the importance of truth and reconciliation, especially in an industry often plagued by rumors and misunderstandings.
