“Too Much Boasting Looks Like Giving Yourself CPR”: Kizzy W Throws Shade at JZyno Over Bold Claims

The Liberian music scene has been buzzing with drama after a recent interview with JZyno, who boldly claimed to be the first and only global Liberian artist. The self-proclaimed title didn’t sit well with everyone, especially fellow artist Kizzy W, who wasted no time in responding with a pointed jab: “Too much boasting looks like giving yourself CPR.”

Kizzy W’s clever quip has sparked conversation across social media, with fans and followers debating the merits of JZyno’s claims and the significance of Kizzy W’s response. But beyond the social media banter, this exchange raises deeper questions about humility, self-promotion, and the evolving identity of Liberian artists on the global stage.

In his interview, JZyno confidently asserted that he was the first and only Liberian artist to have achieved global recognition. While it’s true that JZyno has made significant strides in his career, gaining international exposure and acclaim, his claim to being the sole global representative of Liberian music struck many as overreaching. Liberia boasts a rich and diverse music scene, with numerous artists making waves both locally and internationally. By positioning himself as the lone figure in this landscape, JZyno’s statement felt dismissive to the contributions of his peers.

Kizzy W, a respected artist in his own right, responded with a statement that was equal parts shade and wisdom. Comparing excessive boasting to giving oneself CPR suggests that overinflating one’s ego is not just unnecessary but self-serving and, perhaps, desperate. Kizzy W’s comment implies that true greatness doesn’t need to be self-proclaimed—it’s recognized and celebrated by others naturally.

His words resonate with the idea that the mark of a successful artist isn’t just global recognition but also the respect and acknowledgment of the community they come from. Boasting, especially to the extent of erasing the contributions of others, can often backfire, making the artist appear more concerned with their image than with genuine impact.

This exchange between JZyno and Kizzy W reflects a broader issue within the music industry—not just in Liberia but globally—where artists often feel the pressure to outshine one another rather than uplift each other. While confidence and self-promotion are essential in an artist’s career, they shouldn’t come at the expense of unity and mutual respect within the industry.

The reality is that Liberian music is on the rise, and many artists are contributing to its global appeal. From Afrobeat sensations to traditional music ambassadors, Liberian artists are carving out their own spaces on the world stage. Instead of claiming sole ownership of this success, there’s an opportunity for artists to support one another, amplifying their collective voice.